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pipes and cement


This intervention is a tribute to the show of daily life, to the small things that, having become a routine, go unnoticed. It starts from the ambivalence between the “real” and the “simulated” to articulate with a whole philosophy of mediations that prevails when perceiving the reproduction mechanisms of knowledge in post-industrial societies. It goes to the detriment of the artist’s role and of the work as primary levels of the art process, in order to draw attention on the performance of the receiver and acknowledge the narcissistic nature of his reconstructive and decoding actions.